He begins to dance intrigued by movement as a tool to develop awareness of his own body; dance immediately becomes one of the most important elements in the search for oneself.

Having entered the world of improvisation, he discovers the power of listening and relating, which he considers, in all their forms, the issues that interest and enrich him most. These, together with the tools to cultivate the perception of being present, are the elements on which his research focuses.

In the study of movement he seeks an organicity that also arises from the experiential / anatomical exploration of the body and that is linked to its well-being and pleasure. Its exploration is aimed at finding a state / space of active availability of the body that thus stops acting and begins to re-act by responding to internal and external stimuli.